Apple Music is a streaming service that allows you to listen to over 100 million songs. Its features include the ability to download your favorite tracks and play them offline, lyrics in real time, listening across all your favorite devices, new music personalized just for you, curated playlists from our editors, and much more. All this in addition to exclusive and original content.
Classical music has a fundamentally different metadata structure from that of genres like pop, hip-hop, and country. As a result, it requires a unique approach to search, browse, library, and recommendations features. In addition, presenting the data about each album requires completely different formats. Classical listeners also have specific interests, such as composer bios and descriptions of works.
Already a classical music enthusiast and Apple Music subscriber All the classical music in your Apple Music library will automatically appear in the Favorites tab of Apple Music Classical, ready for you to enjoy.
Yes, both apps will offer the largest classical catalog in the world. However, Apple Music Classical will include multiple additional features, such as classical browse, a search engine designed for classical music, handpicked recommendations, composer and artist bios, and descriptions of the works.
No, Apple Music Classical is classical only, but it does include lots of film and other crossover genres with classical music. Apple Music Classical users can also listen to more than 100 million songs on Apple Music through their subscription.
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice.
In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz the performers may take turns leading and responding, while sharing a changing set of notes. In a free jazz context, there may be no structure whatsoever, with each performer acting at their discretion. Music may be deliberately composed to be unperformable, or agglomerated electronically from many performances. Music is played in public and private areas, highlighted at events such as festivals, rock concerts, and orchestra performance, and heard incidentally as part of a score or soundtrack to a film, TV show, opera, or video game. Musical playback is the primary function of an MP3 player or CD player and a universal feature of radios and smartphones.
Music often plays a key role in social activities, religious rituals, rite of passage ceremonies, celebrations, and cultural activities. The music industry includes songwriters, performers, sound engineers, producers, tour organizers, distributors of instruments, accessories, and sheet music. Compositions, performances, and recordings are assessed and evaluated by music critics, music journalists, and music scholars, as well as amateurs.
The modern Western world usually defines music as an all-encompassing term, used to describe diverse genres, styles and traditions. This is not the case worldwide, and languages such as modern Indonesian (musikcode: ind promoted to code: id ) and Shona (musakazo) have recently adopted words to reflect this universal conception, as they did not have words that fit exactly the Western scope. In East Asia, neither Japan nor China have a single word which encompasses music in a broad sense, but culturally often regard music in such a fashion. The closest word to mean music in Chinese, yue, shares a character with le, meaning joy, and originally referred to all the arts before its narrowing in meaning. Africa is too diverse to make firm generalizations, but the musicologist J. H. Kwabena Nketia has emphasized African music's often inseparable connection to dance and speech in general. Some African cultures, such as the Songye people of the Democratic Republic of the Congo and Tiv people of Nigeria, have a strong and broad conception of 'music' but no corresponding word in their native languages. Other words commonly translated as 'music' often have more specific meanings in their respective cultures: the Hindi word for music, sangitacode: hin promoted to code: hi , properly refers to art music, while the many Indigenous languages of the Americas have words for music that refer specifically to song but describe instrumental music regardless. Though the Arabic musiqicode: ara promoted to code: ar can refer to all music, it is usually used for instrumental and metric music, while khandancode: ara promoted to code: ar identifies vocal and improvised music.
It is often debated as to what extent the origins of music will ever be understood, and there are many competing theories that aim to explain it. Many scholars highlight a relationship between the origin of music and the origin of language, and there is disagreement surrounding whether music developed before, after, or simultaneously with language. A similar source of contention surrounds whether music was the intentional result of natural selection or was a byproduct spandrel of evolution. The earliest influential theory was proposed by Charles Darwin in 1871, who stated that music arose as a form of sexual selection, perhaps via mating calls. Darwin's original perspective has been heavily criticized for its inconsistencies with other sexual selection methods, though many scholars in the 21st century have developed and promoted the theory. Other theories include that music arose to assist in organizing labor, improving long-distance communication, benefiting communication with the divine, assisting in community cohesion or as a defense to scare off predators.
Prehistoric music can only be theorized based on findings from paleolithic archaeology sites. Flutes are often discovered, carved from bones in which lateral holes have been pierced; these are thought to have been blown at one end like the Japanese shakuhachi. The Divje Babe flute, carved from a cave bear femur, is thought to be at least 40,000 years old, though there is considerable debate surrounding whether it is truly a musical instrument or an object formed by animals. Instruments such as the seven-holed flute and various types of stringed instruments, such as the Ravanahatha, have been recovered from the Indus Valley civilization archaeological sites.
The earliest material and representational evidence of Egyptian musical instruments dates to the Predynastic period, but the evidence is more securely attested in the Old Kingdom when harps, flutes and double clarinets were played. Percussion instruments, lyres, and lutes were added to orchestras by the Middle Kingdom. Cymbals frequently accompanied music and dance, much as they still do in Egypt today. Egyptian folk music, including the traditional Sufi dhikr rituals, are the closest contemporary music genre to ancient Egyptian music, having preserved many of its features, rhythms and instruments.
Music was an important part of social and cultural life in ancient Greece, in fact it was one of the main subjects taught to children. Musical education was considered to be important for the development of an individual's soul. Musicians and singers played a prominent role in Greek theater, and those who received a musical education were seen as nobles and in perfect harmony (as can be read in the Republic, Plato). Mixed gender choruses performed for entertainment, celebration, and spiritual ceremonies. Instruments included the double-reed aulos and a plucked string instrument, the lyre, principally a special kind called a kithara. Music was an important part of education, and boys were taught music starting at age six. Greek musical literacy created significant musical development. Greek music theory included the Greek musical modes, that eventually became the basis for Western religious and classical music. Later, influences from the Roman Empire, Eastern Europe, and the Byzantine Empire changed Greek music. The Seikilos epitaph is the oldest surviving example of a complete musical composition, including musical notation, from anywhere in the world. The oldest surviving work written on the subject of music theory is Harmonika Stoicheia by Aristoxenus.
Indian classical music is one of the oldest musical traditions in the world. Sculptures from the Indus Valley civilization show dance and old musical instruments, like the seven holed flute. Various types of stringed instruments and drums have been recovered from Harappa and Mohenjo Daro by excavations carried out by Sir Mortimer Wheeler. The Rigveda, an ancient Hindu text, has elements of present Indian music, with musical notation to denote the meter and the mode of chanting. Indian classical music (marga) is monophonic, and based on a single melody line or raga rhythmically organized through talas. Silappadhikaram by Ilango Adigal provides information about how new scales can be formed by modal shifting of the tonic from an existing scale. Present day Hindi music was influenced by Persian traditional music and Afghan Mughals. Carnatic music, popular in the southern states, is largely devotional; the majority of the songs are addressed to the Hindu deities. There are also many songs emphasizing love and other social issues. 59ce067264